Category: SHOWS

Sex Cells 2025- Photo by Abraham Preciado

Sex Cells and We’re Buying- somewhere south of Hollywood Blvd

Danny Baraz May 7, 2025

Somewhere in the heart of Hollywood on Wilcox, in a club/venue I have never entered before, Sex Cells re-emerged from it’s hiatus hole, to return to us a provocative buffet of fetish culture, avant-garde/smutty art, and self-expression. Out of the birth canal of Danny Fuentes, the L.A raised freak show turned ambassador and the individual behind Lethal Amounts gallery (but not in the alley). Sex Cells transcends traditional club nights, offering a haven for those who revel in the unconventional but fiercely protective against any potential spectators looking for a freak show or a glimpse of t&a+D. Danny Fuentes: the PT Barnum of rare humans but unlike that circus, exploitation is consensual. Lethal Amounts has long been a stalwart advocate for counterculture. If Lethal Amounts had any over arching theme, it would be that. Fuentes has curated exhibitions that delve into once taboo subjects in the mainstream- satanic rituals and serial killers and of course, forwarding and celebrating all the divine, aesthetic and historical culture that has brought the queer community to it’s current paradigm all across the world . This is our vanilla. His commitment to showcasing the extremes of human experience is evident in the gallery’s diverse array of artists,

Parliament Funkadelic at Ventura Music Hall shot by Jeff Tillquist

How to Humanize an Alien: Parliament Funkadelic at Ventura Music Hall

Rob Shepyer May 5, 2025

Thanks to Ventura Music Hall and George Clinton, Parliament Funkadelic was up until Monday, a bucket list band that needed to get checked off my list if I was really to consider myself a music junkie. Now, in a totally changed state of mind since seeing them perform classic songs like “Flashlight”, “Atomic Dog”, “We Got The Funk”, and more, I’ve been feeling this strange sense of nostalgia for a time I didn’t even exist in. That time I’m so fondly recalling through videos, images, and oral tradition was the seventies. At the time, pop culture was more colorful, vivid, imaginative, and real. Forced to create practical magic and effects if artists wanted to make concerts feel out of this world, groups like Parliament Funkadelic constructed UFOs that would land on stage and release a cavalcade of alien crazies upon the audience, all dressed and sounding completely unique from one another to create a funk jam session akin to stream of consciousness power poetry. It was in the seventies, back when a heavily dreaded George Clinton produced acid-inspired rollercoaster rides that ranged from metallic to soulful to downright religious, that Clinton and his band were at their peak-alieness. Today, as

Swing Heil: Anti-Fascist Hardcore Punks Swing Kids Return to Los Angeles

Rob Shepyer May 4, 2025

Swing Kids have reunited. They already brought their abrasive, unhinged brand of hardcore punk to San Diego, and now, they’re heading up a few hours north to make a statement at Highland Park’s Lodge Room. Justin Pierson has always been political, even in his most oddball musical projects but when leading Swing Kids, performances become political strikes. Swing Kids was a band that came together with a purpose. Using the model of swing and jazz bands that performed under a specific ethical code, they fueled their hardcore punk with the collective fists of the Anti-fascist movement. SWING HEIL! They began in the 90’s when politics was perhaps less salacious, but just as disgusting and repressive. To counter the bombast and gall of the current administration’s messaging, Swing Kids have plugged back in. SWING HEIL! Swings Kids isn’t just a band, it’s a movie, and it’s a real life phenomenon during a time when the backdrop to music was institutionalized holocaust, racism, and propaganda everywhere to bury freedom of thought and spirit. Today, Swing Kids reunited at a strategic moment, where to combat a new fascism they contribute to the new anti-fascism. SWING HEIL! Take a look at the documentary they

Teen Mortgage and Spoon Benders Tear Zebulon Apart – Night One Recap

Taylor Wong April 29, 2025

If there was any doubt that raw, snarling rock n’ roll is alive and breathing fire in 2025, Teen Mortgage and Spoon Benders came to Zebulon the other night and left no survivors. Zebulon was packed to the absolute brim — a heaving, sweaty mass of bodies smashed together like a human ocean. People were bouncing off the walls (literally). It was the first of two sold-out nights, and the energy felt less like a “show” and more like a full-scale uprising. Spoon Benders kicked things off, and damn, if they didn’t blow the doors clean off. Hailing from Portland, Oregon, Spoon Benders have been steadily building a name for themselves since forming in 2019. With roots in the Pacific Northwest’s rich DIY scene, they’ve gained a reputation for their blistering live shows and experimental approach to psych-rock. Their sound pulls from a range of influences — a little Dead Meadow haze, a bit of Ty Segall grit, and a touch of doom-laden groove reminiscent of early Black Sabbath. Songs like “Dichotomatic” rattled the bones of everyone crammed inside. Every note felt jagged and alive, like a sonic landslide tumbling over the crowd. If you weren’t moshing, you were probably

Together Pangea at El Rey by Taylor Wong

Together Pangea and Prison Affair Tear Up Coachella Side Show at El Rey

Taylor Wong April 28, 2025

In between their Coachella Weekends 1 and 2 sets, Together Pangea and Spain’s Prison Affair stopped off in Los Angeles for a sold-out show at the El Rey Theatre — a sweaty, cathartic night that offered fans a more intimate taste of the chaos they’d just unleashed in the desert. While both bands came with buzz, they offered two very different flavors of punk-adjacent mayhem — one a homegrown institution, the other a rising international cult. Together Pangea has long been synonymous with LA’s garage rock underground. Formed in 2008 when frontman William Keegan began sharing songs from his dorm room, the band quickly found footing in the DIY circuit before crashing through with 2014’s Badillac. Known for their explosive live shows and slacker-meets-sleaze songwriting, they’ve become a staple of Southern California’s indie rock scene — the kind of band that’s always on someone’s “you had to be there” list. And while their El Rey set was classic Together Pangea — wild, gritty, and tight — there was a warmth to it, too. Maybe it’s the fact that Keegan and his partner Kelsey are expecting their first child soon, a new chapter that adds a subtle sense of joy and

Beth Gibbons at The Orphuem: Outgrowing Your Own Creation

Rob Shepyer April 23, 2025

Beth Gibbons at The Orpheum Theatre was more than just a showcase of new music, it was a showcase of a new Beth Gibbons for all Los Angeles to enjoy. When you think Beth Gibbons and Portishead, you think of a specific sound. An elevated, urbanized jazz that pairs well with a Bond movie, maybe, or you think of the trip hop moniker developed by her band and other English groups like Massive Attack. Beth Gibbons’ solo work, and especially her 2024 album Lives Outgrown doesn’t so much as develop on the song she help originate and cultivate though, it outgrows it with a new evolution in her artistry that includes influences from folk, psychedelic, medieval, and world music sensibilities. Driving to the Orpheum theatre on a drowsy Thursday evening, her new album gave my trip a surreal feel, making each beat of time pass by with more meaningful reflection, and each tree outstretching over the freeway walls more tranquilizing with the nature-vibes captures on songs like “Floating on a Moment” or my favorite on the album, “Whispering Love”. Skimming through the tracklist now and looking back on the show, I see both as a statement on identity, lost and

Rose Tattoo at The Whisky, Rose-Tattoo-live-in-LA

Garage Rockers vs Skinheads vs Hardcore Kids: Rose Tattoo at the Whisky

Rob Shepyer April 16, 2025

The Whisky ’25: Rose Tattoo’s First US Show Since ’83 When Rose Tattoo announced their first American show since 1983, not only could I not believe it, but I made sure to procure tickets almost immediately. This show would then get cancelled, only for the prospect of Rose Tattoo playing Los Angeles to dissolve and become a big question mark. Would the legendary Australian band ever play in America again? This is a pure rock and roll band that didn’t just go on to inspire Guns and Roses but numerous scenes throughout Los Angeles, from skinheads to hardcore kids to garage rockers. It would otherwise be impossible to see these three scenes merge into one audience. Even for a megaband like The Misfits, these groups don’t come together to mingle in such close quarters. So, when Rose Tattoo announced two new shows in LA years later and then finally hit the stage at Whisky-a-Go-Go on March 6th and 7th, all those scenes were present and pounding their fists for what must’ve been an awfully cold day in hell. The set ran the gamut of a slew of Rose Tattoos classics such as “Nice Boys” and “Rock and Roll Outlaw,” with

T.Y. Ojai: Ty Segall at Ojai Valley Women’s Club

Rob Shepyer March 4, 2025

With MTV’s Unplugged catalogue hitting Paramount+ recently, I’ve been on a bit of an acoustic kick. When a popular artist goes acoustic, it’s a sign of a deeper appreciation and commitment to their fans and music than standard touring, writing, and recording cycle an artist goes through. Choosing to go on an acoustic tour, like the one Ty Segall and King Tuff are currently collaborating on throughout California, presents a challenge to a musician that really tests their artistry. It strips them of all the bells and whistles fans expect from their songs and live show, forcing the artist to compensate with pure charisma and sonic bravado. Both King Tuff and Ty Segall exhibited powerful charisma as acoustic artists, taking advantage of the silence between and around their songs to amplify the meaning of every lyric and note. The result of which is that audiences that were lucky enough to catch these shows may not have had their socks rocked off like they would in a Ty Segall and The Muggers show, or a Witch (King Tuff’s metal band) show, but we did experience the full fleshed out power and message of Ty’s songs like no other fans ever have.

Pentagram- Doom Ages Like Fine Wine At Ventura Music Hall

Rob Shepyer February 21, 2025

Something about old age injects more gravitas into a doom metal musician’s art. Perhaps its being closer to the great beyond, that dark place from which inspiration comes from that we all join at the end of our days. Perhaps something about graying hair and wrinkled skin makes the purveyor of doom metal all the more convincing to an audience. Doom metal, is of course a genre about bleakness and sorrow. A long life devoted to that style of music must have experienced everything the world has to offer, so to come away with singing “doom to world” instead of “Joy to world” gives fans the assurance that this artist is the real deal, and they’re not just playing a character in a gimmick. Then of course, there’s pace. Doom metal is slow metal. Slowness and sloth are what some equate with growing old. Dragging your feet, letting time pass you by because it makes no difference. All these ideas are second nature to doom metal’s mournful verses and tones. Bobby Liebling and the boys in Pentagram have been around since the inception of doom metal. Playing this genre of music before it had a name. To them, it was

Devastation on the Nation w/ I AM Morbid at Belasco

Rob Shepyer December 29, 2024

When someone tells me there’s a death metal show tonight, I usually ask them what kind of death metal. If they tell me Morbid Angel is playing, I’ll definitely think about going. If they tell me Morbid Angel was just replaced by I Am Morbid, David Vincent’s version of the band, I’ve already bought my ticket before they’ve completed their sentence. related content: Morbid Angel at The Regent: A Lesson in Death What differentiates the sort of Death metal that makes a show worth going to for me is often times the vocal. Newly attuned listeners of the genre may consider it splitting sonic hairs to parse between different styles of guttural vocals but if I can understand the lyrics a death metal band is screeching out, then I consider the band superior in some respects. Nothing against the demonic belching of numerous Deathcore and Death Metal bands like Suffocation, that shared the stage with I Am Morbid at this show, but because I was able to understand David Vincent’s gregorian chants from hell, I was able to feel the gravity of his music. It simply sounded and felt more evil, powerful, and scary because the words had meaning. Devastation