Category: SHOWS

Spiritual Cramp at Regent Theater by Taylor Wong

Spiritual Cramp: Alive at the Regent Theater

Danny Baraz June 6, 2025

Last month on May 21st, Spiritual Cramp opened a show for Bad Nerves at The Regent Theater. We here at Janky Smooth have been mildly obsessed with Spiritual Cramp- mostly theorizing on why they aren’t headlining shows like this yet. Because once you see them live, the band leaves no doubt. Spiritual Cramp released their first full length, self titled studio album in 2023 to go with 4 EP’s and a slue of singles. Every release is solid. But do yourself a favor- if Spiritual Cramp come to your town, do whatever you can to go see them. related: LA’s Best Festival is Sound and Fury- Here’s Why (2018) When you first hear the name Spiritual Cramp, you’re not sure if you’re about to get hit with a darkwave sermon or an exorcism of punk rock demons. But once the needle drops—or they hit the stage—you know exactly what you’re in for: a sweaty, soul-drenched blast of refined angst, post-punk groove, and swagger that may not be unique to them but they certainly take it to it’s purest form. Now stationed in Los Angeles, Spiritual Cramp is the band you didn’t know you needed—until you see them and your taint

Gang of Four at Fonda Theater by Albert Licano

Gang of Four at The Fonda: The End of the Long Goodbye Tour

Janky Smooth Central Command June 2, 2025

On May 28, 2025, Gang of Four delivered a powerful performance at Los Angeles’ Fonda Theatre, marking a significant moment in their farewell “The Long Goodbye” tour. The band, known for their influential role in the post-punk movement, showcased two sets that paid homage to their storied career. As pioneers of the post-punk movement, Gang Of Four’s music favored tense rhythms, percussive guitar with sharp tones, and lyrics that traded in Marxist theory and situationism. As long as this last goodbye run was, it didn’t show at The Fonda Theater. Gang of Four are not only as spry and believable as ever, but John King still had seemingly endless energy at the end of the second set. I’m sure the adrenaline is still pumping a week later from the adoring fans prompting the band to play one more song that would never end. The Fonda-Setlist 1 “Entertainment!”: Ether Natural’s Not in It Not Great Men Damaged Goods Return the Gift I Found That Essence Rare Glass Contract At Home He’s a Tourist 5.45 Anthrax The Fonda- Setlist 2 “Best of the Rest”: He’d Send in the Army Capital (It Fails Us Now) Outside the Trains Don’t Run on Time Paralysed

Justice at Santa Barbara Bowl shot by Michelle Evans

Justice at Santa Barbara Bowl: Disco Church

Janky Smooth Central Command May 27, 2025

The rural hills of Santa Barbara received a much-needed disco disruption in the form of Justice performing at the SB Bowl for their Hyperdrama North American tour. Since their inception with 2007’s Cross, French DJ duo Justice have broken the mold of what electronic music should be, reinventing themselves and the genre each time they release an album. 2024’s Hyperdrama follows in the band’s rich tradition of innovation and boundary-pushing, all while staying cool and lowkey about it. Hyperdrama features appearances from Tame Impala and Miguel, adding dashes of psychedelic rock and R&B to an already expansive sound. Justice, unlike other electronic groups, aren’t committed to simply blending electronic music with rock or industrial or disco, like they were once notorious for with songs like “Stress.” Justice’s M.O. is much bigger—to cover the entire musical landscape through the Justice lens, which amplifies the power, tension, and release of songs while making them headbanging anthems audiences can dance the night away to. related content: Stone Age Swagger: Queens of the Stone Age at SB Bowl A Justice show is a communal experience. Every time the duo plays “We Are Your Friends” on loop, audiences grow closer together around the group. And though

King Tuff Farewell at The Lodge Room by Taylor Wong

King Tuff Unloads His Clip With A Farewell Show At The Lodge Room

Taylor Wong May 22, 2025

May 15th was one of those rare nights at The Lodge Room where the room felt sacred. Not because we were mourning someone who passed, but because we were saying goodbye to a living legend. After more than a decade of calling L.A. home, King Tuff—aka Kyle Thomas—was leaving the city to head back to his native Vermont. No funeral, no drama, just a farewell show packed with friends, fans, and deep cuts. Still, it carried that weird weight. A little celebratory, a little emotional. The kind of night where people linger a little longer in their hugs and the encore feels more like a thank-you note than a victory lap. For those who haven’t followed his journey, King Tuff came up in Brattleboro, Vermont, playing in freak-folk outfits like Feathers before co-founding the stoner metal band Witch with J Mascis. From there, he broke out as a solo act under the King Tuff moniker, releasing Was Dead in 2008—an album that would later go on to cult status when it was reissued by Burger Records and Sub Pop in 2013. The self-titled King Tuff LP in 2012 pushed him further into the spotlight with tracks like “Bad Thing” and

Nick Cave and the Bad Seeds at Cruel World 2025 by Albert Licano

Cruel World 2025 At The Rose Bowl: We’re Only Happy When It Rains

Rob Shepyer May 20, 2025

Cruel World 2025 at the Rose Bowl was the fourth iteration of the festival, but some strange alignment in the distant goth cosmos caused a number of firsts in Cruel World history. Rain fell on Los Angeles’ goth community as they all gathered at the Rose Bowl for what music fans recognize as goth prom. Cruel World is much more than a goth fest, though—’80s music, metal, and punk all performed in gloomy Pasadena over the weekend. Never before did the concertgoers, wearing their finest layers of black, actually dress appropriately for the weather—until now. Some came to Cruel World to see Devo “Whip It” like it was 1980, some came to be in the palm of Nick Cave’s “Red Right Hand”, others came just to get a one-day vacation with New Order before “Blue Monday. Whatever the motivation, the festival once again found appropriate meaning in its name. This year it was cold and dreary, with imported London fog infused with LA smog. Most people prefer not to experience a concert drenched from head to toe, but as a departure from the brutal heat of previous years, it had some upsides. The rain forced many Cruel Worlders looking for shelter

Model/Actriz at The Roxy: A Queer Sermon in Noise Rock

Taylor Wong May 16, 2025

I first stumbled into the world of Model/Actriz by accident. It was a few years back at Sound & Fury Fest, and I was assigned to shoot them. I didn’t know their name, didn’t know the music, didn’t know what I was about to walk into. I just knew I had a lens in my hand and a job to do. What I got instead was a conversion. Right out the gate, they hit the stage with a mix of post-punk, industrial noise-rock, and pure unfiltered gay energy. The kind that doesn’t ask for permission. The kind that vogues and spits and bleeds. Cole Haden—Model/Actriz’s frontman and spiritual conjurer—was bouncing across the stage like a punk rock ballerina. Limbs flying, chest heaving, eyes wild. And then, mid-set, he leapt into the crowd and performed most of the set among us, singing to our faces, brushing against shoulders, dissolving the barrier between performer and observer in a way I hadn’t seen since… ever. That show stuck with me. And like all things that feel a little too intense to be real, I wondered if I’d built it up in my head over time. Cut to last night at the Roxy Theatre

Oneohtrix Point Never at The Wiltern by Abraham Preciado

Oneohtrix Point Never at The Wiltern: Post-Post-Modern Music

Rob Shepyer May 13, 2025

Oneohtrix Point Never at the Wiltern wasn’t an ordinary concert — it was a creative breakthrough into a new form we were all indulged in. I remember being in a film class about postmodernism and asking my professor what movement was supposed to come after. The professor’s answer was “hyperreality”, which — if you’re familiar with it from painting — is a style that almost perfectly maps onto the real world… almost. Although it’s a bit difficult to imagine what hyperreality looks like in music or performance, Oneohtrix Point Never’s show at The Wiltern was an experimental leap ahead of postmodernism, and either a sidestep from hyperreality or a pastiche of it. During the show, a live puppeteer mimicked Oneohtrix Point Never’s performance, with the puppet’s antics projected live on a screen behind OPN. Seeing the duality between man and puppet provided layers of meaning to OPN’s performance, making it an autobiography in the form of a concert. For those not in the know, Oneohtrix Point Never is the pen name of electronic musician, producer, and film composer Daniel Lopatin. His rise to acclaim came in increments before his signature sound became undeniable — notably when featured in Safdie Brothers

Sex Cells 2025- Photo by Abraham Preciado

Sex Cells and We’re Buying- somewhere south of Hollywood Blvd

Danny Baraz May 7, 2025

Somewhere in the heart of Hollywood on Wilcox, in a club/venue I have never entered before, Sex Cells re-emerged from it’s hiatus hole, to return to us a provocative buffet of fetish culture, avant-garde/smutty art, and self-expression. Out of the birth canal of Danny Fuentes, the L.A raised freak show turned ambassador and the individual behind Lethal Amounts gallery (but not in the alley). Sex Cells transcends traditional club nights, offering a haven for those who revel in the unconventional but fiercely protective against any potential spectators looking for a freak show or a glimpse of t&a+D. Danny Fuentes: the PT Barnum of rare humans but unlike that circus, exploitation is consensual. Lethal Amounts has long been a stalwart advocate for counterculture. If Lethal Amounts had any over arching theme, it would be that. Fuentes has curated exhibitions that delve into once taboo subjects in the mainstream- satanic rituals and serial killers and of course, forwarding and celebrating all the divine, aesthetic and historical culture that has brought the queer community to it’s current paradigm all across the world . This is our vanilla. His commitment to showcasing the extremes of human experience is evident in the gallery’s diverse array of artists,

Parliament Funkadelic at Ventura Music Hall shot by Jeff Tillquist

How to Humanize an Alien: Parliament Funkadelic at Ventura Music Hall

Rob Shepyer May 5, 2025

Thanks to Ventura Music Hall and George Clinton, Parliament Funkadelic was up until Monday, a bucket list band that needed to get checked off my list if I was really to consider myself a music junkie. Now, in a totally changed state of mind since seeing them perform classic songs like “Flashlight”, “Atomic Dog”, “We Got The Funk”, and more, I’ve been feeling this strange sense of nostalgia for a time I didn’t even exist in. That time I’m so fondly recalling through videos, images, and oral tradition was the seventies. At the time, pop culture was more colorful, vivid, imaginative, and real. Forced to create practical magic and effects if artists wanted to make concerts feel out of this world, groups like Parliament Funkadelic constructed UFOs that would land on stage and release a cavalcade of alien crazies upon the audience, all dressed and sounding completely unique from one another to create a funk jam session akin to stream of consciousness power poetry. It was in the seventies, back when a heavily dreaded George Clinton produced acid-inspired rollercoaster rides that ranged from metallic to soulful to downright religious, that Clinton and his band were at their peak-alieness. Today, as

Swing Heil: Anti-Fascist Hardcore Punks Swing Kids Return to Los Angeles

Rob Shepyer May 4, 2025

Swing Kids have reunited. They already brought their abrasive, unhinged brand of hardcore punk to San Diego, and now, they’re heading up a few hours north to make a statement at Highland Park’s Lodge Room. Justin Pierson has always been political, even in his most oddball musical projects but when leading Swing Kids, performances become political strikes. Swing Kids was a band that came together with a purpose. Using the model of swing and jazz bands that performed under a specific ethical code, they fueled their hardcore punk with the collective fists of the Anti-fascist movement. SWING HEIL! They began in the 90’s when politics was perhaps less salacious, but just as disgusting and repressive. To counter the bombast and gall of the current administration’s messaging, Swing Kids have plugged back in. SWING HEIL! Swings Kids isn’t just a band, it’s a movie, and it’s a real life phenomenon during a time when the backdrop to music was institutionalized holocaust, racism, and propaganda everywhere to bury freedom of thought and spirit. Today, Swing Kids reunited at a strategic moment, where to combat a new fascism they contribute to the new anti-fascism. SWING HEIL! Take a look at the documentary they

Teen Mortgage and Spoon Benders Tear Zebulon Apart – Night One Recap

Taylor Wong April 29, 2025

If there was any doubt that raw, snarling rock n’ roll is alive and breathing fire in 2025, Teen Mortgage and Spoon Benders came to Zebulon the other night and left no survivors. Zebulon was packed to the absolute brim — a heaving, sweaty mass of bodies smashed together like a human ocean. People were bouncing off the walls (literally). It was the first of two sold-out nights, and the energy felt less like a “show” and more like a full-scale uprising. Spoon Benders kicked things off, and damn, if they didn’t blow the doors clean off. Hailing from Portland, Oregon, Spoon Benders have been steadily building a name for themselves since forming in 2019. With roots in the Pacific Northwest’s rich DIY scene, they’ve gained a reputation for their blistering live shows and experimental approach to psych-rock. Their sound pulls from a range of influences — a little Dead Meadow haze, a bit of Ty Segall grit, and a touch of doom-laden groove reminiscent of early Black Sabbath. Songs like “Dichotomatic” rattled the bones of everyone crammed inside. Every note felt jagged and alive, like a sonic landslide tumbling over the crowd. If you weren’t moshing, you were probably

Together Pangea at El Rey by Taylor Wong

Together Pangea and Prison Affair Tear Up Coachella Side Show at El Rey

Taylor Wong April 28, 2025

In between their Coachella Weekends 1 and 2 sets, Together Pangea and Spain’s Prison Affair stopped off in Los Angeles for a sold-out show at the El Rey Theatre — a sweaty, cathartic night that offered fans a more intimate taste of the chaos they’d just unleashed in the desert. While both bands came with buzz, they offered two very different flavors of punk-adjacent mayhem — one a homegrown institution, the other a rising international cult. Together Pangea has long been synonymous with LA’s garage rock underground. Formed in 2008 when frontman William Keegan began sharing songs from his dorm room, the band quickly found footing in the DIY circuit before crashing through with 2014’s Badillac. Known for their explosive live shows and slacker-meets-sleaze songwriting, they’ve become a staple of Southern California’s indie rock scene — the kind of band that’s always on someone’s “you had to be there” list. And while their El Rey set was classic Together Pangea — wild, gritty, and tight — there was a warmth to it, too. Maybe it’s the fact that Keegan and his partner Kelsey are expecting their first child soon, a new chapter that adds a subtle sense of joy and