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The Exploited at The Regent

LA Still Believes In Anarchy: The Exploited at The Regent

While many foundational classic punk bands still tour regularly, the reckless soul that the genre is known for can often be missing with how much older the artists have become. Rather than the stagedives, partying, and rowdy moshpits that you’d expect at a punk show, many landmark bands unfortunately feel more like seeing a nostalgic cover band that you’d find at a local bar. While age has affected the energy of many artists, that has only made it more special when you experience the rare event of seeing an early punk band wreak the havoc that they would have in the prime of their career. The Exploited are one of the few examples of a classic punk band that’s able to bring this anarchy to modern audiences, transforming The Regent into the environment of a rowdy 1980’s club with their recent show hosted by Concrete Jungle Entertainment and Nothing Less Booking. With a perfectly crafted lineup of chaos including Conflict, Total Chaos, and Section H8, the spiritual essence of punk rock could have not been more prevalent in the venue that evening. The Exploited proved to us that punk’s not dead, you just have to know where to look for

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Gwen Stefani at Beach Life Festival 2023 by David Smith

Beach Life Festival 2023: On The Shores of Greatness

Beach Life Festival made its annual return to Redondo Beach, this past month, bringing its strongest line up to date in tow that included The Black Keys, Modest Mouse, Gwen Stefani, The Pixies, Band of Horses, The Black Crowes, Sublime w. Rome and Rock n Roll legend, John Fogerty…among many others. Beach Life has continued to include intimate solo performances from local favorites including Johnny Two Bags (Social Distortion), Zander Schloss (Circle Jerks), Jim Lindberg (Pennywise) while providing up and coming touring acts such as The Beaches and L.P. Humongous audiences of new fans to win over. The most impressive aspect of Beach Life seems to be the atmosphere it provides attendees with its varying level of comfort options, varieties of local food trucks, art installations, and selections of top shelf alcohol including Kokomo Spirit: The Official Canned Cocktail of Janky Smooth (unsubstantiated). These amenities go far and beyond the normal festival faire, which makes this year’s event itself so impressive given its A grade lineup, a noticeable improvement from previous years. Friday’s offering of The Pixies won the crowd early on, especially after a slow start by Kurt Vile, that saw the Tennessee native alternating guitars through his first

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L7 at The Glass House by Joshua Alvarez

L7 Continue Bricks Are Heavy Tour at The Glass House

What can I or anyone else at Janky Smooth say about L7 that hasn’t already been said?  There’s only so many times I can describe the raw power that transcends genre, gender and other topical paradigms without being redundant.  This is my 2nd time seeing L7 perform Bricks Are Heavy in it’s entirety and it has yet to bring about any fatigue for that body of work.  In fact, it has been re-energized.   I took my daughter to see L7 perform their seminal album at the Glass House.  It was her first show with a pit and the first show to blow her ears out- everything a young girl needs to be corrupted by empowerment and progress.  Donita, Jennifer, Suzy and Dee delivered an air tight performance in Pomona and reminded me why I’ve seen L7 live more than any other band.  Joshua Alvarez was there too, to take some sick photos.  Check out our photo gallery and our past coverage of L7 below. related: L7 Stop Pretending They Are Dead at The Echo (2015) related: 30 Years of “Bricks are Heavy” at The Regent words: Danny Baraz photos: Joshua Alvarez

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Yves Tumor at Austin Psych Fest 2023 by Grace Dunn

Austin Psych Fest 2023: Authenticity in a Far Out Place

As a Black Angels fan, I followed Levitation (Austin Psych Fest)for years from afar, watching snippets of the festival on social media, because traveling to Austin from Los Angeles is a TREK that’s difficult for any overworked and underpaid artist, including myself. Through those glimpses, I recognized Levitation as a home to what I live for: diverse jams and trippy visuals. I could feel that I belonged there, but I had no idea how strong that connection was until the stars aligned and I finally made it out to The Far Out, the venue where the fest was held for the first time this year. related: My First SXSW- Confessions of a Fanboy Posing as Music Critic I’ve been to a fuck ton of gigs and festivals, but this one hit different. The people. All of them. Musicians, Organizers, and Festival Goers alike (groups that generally stay in their respective lanes during live show experiences) all blended into a vibrational tapestry, a collective, sewn together by their love of music. The connectivity and the community made this experience special. I will cherish it forever; “It’s All Happening”. Grace and I arrive in Austin, Texas: Ground zero for psychedelia, past, present,

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Siouxsie Sioux at Cruel World 2023 by Albert Licano

Cruel World 2023- Redemption and Romance at The Rose Bowl

One of the definitions of the word “Cruel” is, “to cause pain and suffering”. As much unintentional cruelty as Cruel World 2023 inflicted on the psyches of so many attendees by abruptly shutting the festival down half way through Iggy Pop’s set on Saturday, festival promoter and corporate media juggernaut Goldenvoice offered an olive branch of redemption by giving those who didn’t have to leave town on Sunday what most of us came to see- Siouxsie Sioux playing her first set in L.A. in 15 years. The build-up to Cruel World 2023 was palpable- not only for the 1000’s of out of towners that took time off of work, booked airfare, hotel and budgeted all year for what was for many, their annual vacation but also an elusive enthusiasm from Angeleno music fans who are jaded and spoiled by their residency in the music capital of the world. It would’ve been tough for any festival to live up to the magick we witnessed at Cruel World 2022 which peaked on the 2nd day of the festival where we witnessed Bauhuas bloody the stage and make the moon disappear but somehow, Goldenvoice rode 2022’s wave into the shores of excitement and

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Melody's Echo Chamber at The Lodge Room by Grace Dunn

Melody’s Echo Chamber at The Lodge Room: Dancing On A Psychedelic Planet

Melody Prochet and her solo project as Melody’s Echo Chamber have always been a much revered group in the world of psych rock since their inception. Able to fuse together so many of vintage rock’s most powerful musical signatures; from disco-dancing to space rock zero-g guitars, the band can just as easily fill an audience with stoner haze, Fleetwood Mac feels or mindblowing bombast at the snap of Melody’s fingers. It wasn’t just the proposition of having your brain melted that mesmerized Los Angeles into selling out three Melody’s Echo Chamber shows at the Lodge Room, these performances were symbolic of much more to the artist herself. related: Desert Daze 2022- 10 Years In the Evolution of a Music Scene If you want to make a comeback, Los Angeles is the best place to make an impact and the Lodge Room is the best venue to ensure sanctuary, spirit and an endless feedback loop of mana between artist and witnesses. Supporting her 2022 album Unfold, Melody’s Echo Chamber was back doing what she does best, and with tears in her eyes and sonic keys of euphoria in her voice, Melody unlocked the minds of every sparkling-rainbow soul inside the Lodge

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HEALTH at the Music Box by Becky DiGiglio

HEALTH/Author & Punisher at The Music Box: Let The Ceremony Begin

Last time I saw HEALTH in San Diego was opening for Crystal Castles in May 2011 at the now defunct Fluxx Nightclub. Last Saturday it was HEALTH who were headlining The Music Box in San Diego as the last stop on their Dark Territory tour, and the only thing that HASN’T changed in the nearly 12 years since that show is that HEALTH completely shredded the stage. related: HEALTH at The Echo- First L.A. Show in 3 Years Delivers There were multiple story lines unraveling in through the evening and indeed, the complex and cryptic folds of the universe itself. Returning back from ceremony in Mexico on the day of the show, HEALTH was also the band me and my partner saw on our first date the night I touched her for the first time at 1720 a year ago. I love you Jules (fuck face). All that along with promoter Modern.Wav calling out the San Diego goths to convene in their own ceremony and indulge their kinks with an epic lineup that also featured Author & Punisher and openers Matte Blvck and Straight Razor, whom I woefully missed. Luckily, photographer Becky DiGigglio did not.   We walked in during

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Candlemass at 1720 shot by Joshua Alvarez

Candlemass at 1720: The Church of Doom

While doom metal is a metal subgenre that has come and gone in waves throughout its history, bands that enter the scene develop such a large cult following that there has never been a need for a huge influx of new artists taking on the sound. The 1980’s severely lacked newer doom metal artists with the oversaturation of hair metal and thrash at the time, but Candlemass boldly took the throne as the Kings of Doom for that era when they were needed most and have maintained their legendary status ever since. With heavier psychedelic rock and metal rising in popularity again, Candlemass have once again returned to Los Angeles for the first time in 6 years for a sold out show at 1720 Warehouse to reclaim their spot on that throne. If you’re in any way a fan of the olden days of heavy metal before blast beats and death growls, seeing Candlemass live is one of the most authentic ways to experience these roots of metal music that are rarely seen nowadays. Related: Speedy Speedy Speed Metal – Midnight at Union  1720 Warehouse has quickly grown to become one of Los Angeles’ most iconic venues with the wide

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Peaches at Madonna Inn by Jessica Moncrief

2nd Annual John Waters Easter at Madonna Inn: Pink Flamingos and Filthy Bunnies:

It was a sea of queers and bunny ears at California’s campiest hotel, the Madonna Inn, for opening night of the 2nd Annual John Waters Easter Weekend hosted by Lethal Amounts. The event featured electropunk musician/performance artist, Peaches, as well as a screening of Pink Flamingos with live commentary from Mink Stole and John Waters himself, replete with Easter and Tom of Finland photobooths and of course an Edith Massey look-a-like contest. related: Satanic Manic- Lethal Amounts Honors Anton LaVey on Halloween It was a slow race to the Inn as Peaches was set to take the stage at 7:30pm and with most attendees coming from Los Angeles or San Francisco, Friday traffic was a bear in either direction. We made it just in time for a quick a dip in the pool before the show and a seemingly innocent, lone, swimmer asked the occasion for our visit. His bewildered response to our answer was “Jowwhn Waterrs…izze a COUNtry singer or somethin’?”  in an unplaceable drawl. He was there for a wedding and it was then that we knew: the other hotel inhabitants had no idea they were about to be bombarded by the filthiest people alive. related: The Teaches

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Onyx at The Echoplex by Greg Flack

Photo Recap: Onyx at The Echoplex

If you’ve ever been in a mosh pit or slam danced at a hip hop show, you can thank Onyx for that type of singular release of tension.  Something that is so common place now started with this group from South Jamaica, Queens in New York City.  And regardless of Rick Rubin’s early rock influence in the beats he made for Run DMC and Beastie Boys, Onyx were one of the first to truly fuse metal and rap, ala the soundtrack for the movie Judgement Night . On March 29th, 2023 Onyx returned to play a show at The Echoplex in Los Angeles.  Photographer Greg Flack was there to document the occasion.    

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